Lucent Lighting supplied the luminaires for a carefully curated lighting scheme designed by Mistry Lighting for AZOTEA, a rooftop restaurant and bar in Leeds that transforms the everyday into an immersive escape above the city skyline.

Perched high above the streets of Leeds, AZOTEA is a hidden urban oasis inspired by the rhythms, flavours, and traditions of Latin America. Drawing inspiration from the haciendas of old, the space blends authentic Latin culture with contemporary design, creating a vibrant destination where food, music, and atmosphere come together. Whether you visit for a relaxed daytime gathering or an energetic evening of music and dance, AZOTEA is conceived as a celebration of life, community, and experience, all set against panoramic views of the city.

The lighting design, developed by Mistry Lighting, was central to shaping this atmospheric rooftop destination. Working closely with both Mistry Lighting and Studio Two, Lucent Lighting supplied a flexible and discreet lighting solution that enhances the architectural character while supporting the venue’s dynamic day-to-night transformation.

A combination of mains voltage track and TUBE LED MINI luminaires provides adaptable, precision-focused illumination across key social and dining areas. The addition of TUBE LED MINI monopoints further enhances focal lighting moments, drawing attention to feature areas. To complement surfaces and architectural detailing, Vista mini wall lights introduce soft, atmospheric washes that enrich texture and depth, reinforcing the sense of intimacy within the open rooftop environment. Meanwhile, EDGE90 Pinhole fittings, finished in a custom RAL, are integrated discreetly to maintain a clean ceiling plane while delivering precise, controlled illumination that supports both circulation and mood.

Giovanni Premi, Specification Sales at Lucent Lighting, said, “AZOTEA is a great example of how considered architectural lighting can elevate atmosphere without overpowering the design intent. Working closely with Mistry Lighting and Studio Two, we focused on delivering flexible, discreet solutions that allow the space to transition effortlessly from day to night while maintaining visual comfort and clarity. The result is a lighting scheme that supports both the architecture and the energy of the experience.”

At AZOTEA Leeds, light is not just functional; it is part of the experience. Through a carefully layered architectural lighting approach, Lucent Lighting has helped shape a rooftop destination that celebrates atmosphere, culture, and connection above the city.

Project Credits

Location: AZOTEA Leeds.
Lighting Designer: Mistry Lighting – Krishna Mistry.
Interior Designer: Studio Two.
Lighting Supplier: Lucent Lighting Ltd.

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Collingwood Lighting is helping Northampton Saints rugby club create the right atmosphere for fans and reduce their carbon footprint with an LED lighting refurbishment programme in its stands.

The company designed and supplied modern LED fittings for the whole of the club’s Barwell stand as phase 1 of the project. The stand includes general seating areas, corporate hospitality, corridors, staff areas, toilets, and general entertainment areas.

The lighting refurbishment is a key part of the club’s net zero carbon pledge. It is one of only a handful of professional rugby clubs to sign up to the UN’s Sports for Climate Action Framework, which commits the club to a 50 percent reduction in emissions by 2030 and to be net zero by 2040.

The rugby club will save almost 15 tonnes of carbon emissions and up to £9,000 per year running costs from this initial installation in the stand. Projections for the whole stadium will see 60 tonnes of carbon saved per year.

Says Northampton Saints Chief Executive, Julia Chapman: “This LED lighting refurbishment future proofs our stadium because it not only costs us less money and uses less energy, but it has a real impact on how our fans enjoy a space.

Talking about one of the hospitality areas, the tunnel club, Chapman goes onto to say: “The environment that we create makes all the difference to someone’s match day experience, with lighting having such a big impact on the look and feel of an area.”

Collingwood provided the design for all the lighting in the stadium, the fittings that the club needed and the projected energy and cost savings. The refurbishment payback period for the investment is just 19 months.

The lighting design for corporate hospitality suites, such as the infamous tunnel club where spectators can watch the players run onto the pitch, is vital.

For these areas Collingwood designed schemes that uses its downlights Thea Pro with DALI lighting control for the ambient lighting and LED strip lighting to pick out and emphasis features to add extra interest through accent lighting. The colour temperature for the lighting was set at a warm 3000K for a relaxing and sociable space.

For other areas in the stand which includes corridors, toilets, staff kitchens and storage areas, Collingwood designed a more functional lighting scheme using fittings with a cooler colour temperature of 4,000K. This aids concentration and focus for task orientated activities. A mixture of fittings was installed including Thea Pro, Solis LED panel lighting and its tough and durable anti-corrosive Caiman bulkhead for storage and warehouse areas.

Collingwood has also provided emergency lighting packs so that installers can convert some of their fittings into emergency lighting. This helps people safely leave if there is a mains power failure.

Commenting on the installation, operations manager Stuart Jenkins said: “We are a high end hospitality venue so the right lighting design using reliable products is key. This refurbishment has saved us energy, running costs and maintenance, but most importantly it improves the match day experience for our fans.”

Other sustainable initiatives taken by the club include installing over 800 solar panels, using zero carbon bought in energy, installing rainwater capture systems for pitch irrigation, and improving insulation in all their buildings.

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Working alongside healthcare specialists Architecten aan de Maas and installation partner Equans, the project formed part of a major refurbishment programme to replace radiotherapy equipment while placing the patient experience at the heart of the redesign.

Radiotherapy treatment rooms are highly specialised spaces, constructed with thick concrete walls to contain radiation. While technically essential, these environments can often feel clinical and intimidating.

Maastro wanted to change that.

“Nobody comes here by choice,” says Liesbeth Cloin, Manager Facility Management at Maastro. “That’s exactly why we wanted to move away from the cold, clinical feel often associated with healthcare environments. We looked at how light, colour and themed interiors could bring a sense of calm to what is, for many patients, an anxious experience.”

Each of the six treatment rooms was given its own identity, inspired by themes including water, meadows, marl and cherry orchards. Above each treatment unit, bespoke sky images were printed onto TRILUX Arimo LED panels, creating the impression of looking up into the open sky.

“These aren’t generic stock images,” Cloin explains. “They’re photographs of places our patients recognise. For a little while, they can forget where they are and instead feel connected to somewhere familiar.”

Lighting that guides and reassures

Working closely with Architecten aan de Maas, TRILUX developed a lighting concept that supports patients throughout their journey into the treatment rooms.

“From the moment patients enter the treatment area, the lighting gently guides them through the space,” explains Rafael Calis Sanchez, architect at Architecten aan de Maas.

A narrow asymmetrical Finea light line runs through the access corridor, providing subtle wayfinding while creating a calm atmosphere. Positioned slightly off-centre, it offers a more comfortable visual experience for patients being transported on beds, while working alongside Sonnos downlights to deliver balanced, even illumination.

Within the treatment rooms themselves, the lighting was equally carefully considered.

“It’s a small detail,” says Cloin, “but it makes a huge difference. Nobody wants a bright luminaire directly above them while they’re being wheeled into treatment.”

A collaborative approach

From the outset, the project relied on close collaboration between Maastro, Architecten aan de Maas, Equans and TRILUX to balance the demanding technical requirements of a radiotherapy facility with a more human-centred environment.

“Together, we looked for the right balance between functional and experiential lighting,” says Calis Sanchez.

One example was the integration of TRILUX Finea luminaires into the centre’s suspended ceiling system.

“The Finea light lines were originally designed for fixed ceilings,” adds Cloin. “Thanks to some smart adaptations, they fitted perfectly into our suspended ceiling system. I really appreciated that flexibility.”

Calis Sanchez also praised the collaborative design process.

“Marcel Jansen from TRILUX understands the way I design. He always contributes ideas and ensures the lighting complements the architecture without compromising on quality or atmosphere.”

More than lighting

The redesigned treatment rooms combine lighting, colour and artwork to create a more welcoming environment throughout the patient journey. Murals by a local graffiti artist continue each room’s theme through the access corridors, providing moments of familiarity and distraction during treatment.

“This is how we create warmth, recognition and distraction,” says Cloin. “We have patients taking photos beside the murals after their final treatment. Some even coordinate their clothes with the colours of their treatment room. I think that’s a wonderful compliment.”

The benefits extend beyond patients.

“Our staff spend much of their day working on screens,” Cloin explains. “That’s why the lighting is automatically dimmed where appropriate. It creates a calmer ceiling, reduces visual fatigue and gives us a fully programmable system that also supports our Green Deal sustainability commitments.”

Continuing to improve

Four treatment rooms have now been completed, with the experience informing future refurbishments across the centre.

“We keep learning,” says Cloin. “With every refurbishment we build on what we’ve learned before. Working with one committed lighting partner allows us to keep improving, and because we know the process so well, we can plan bespoke luminaires early and avoid unnecessary delays.”

The partnership is now extending beyond the treatment rooms, with TRILUX lighting being introduced into offices and waiting areas as part of Maastro’s wider refurbishment programme.

Calis Sanchez believes the same design philosophy should apply throughout the building.

“We want every stage of the patient’s visit to feel as comfortable as possible—from arriving at reception and spending time in the waiting area to treatment and returning home. Our aim is to create an environment that feels more like a hotel than a hospital, helping to reduce the anxiety associated with cancer treatment. Light is a crucial part of achieving that.”

For Cloin, the project’s success can ultimately be measured by its effect on patients.

“We want patients to feel safe and relaxed,” she concludes. “If lighting helps achieve that, then we’ve done our job.”.

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As one of Oirschot’s most recognisable landmarks, the basilica holds deep cultural and architectural significance. However, its previous exterior lighting system had become outdated, offering limited flexibility and falling short of modern expectations for energy efficiency and light quality. The municipality sought a solution that would respect the heritage of the building while elevating its night‑time identity and reducing environmental impact.

The design brief called for a lighting system that could sensitively highlight the basilica’s architectural features, minimise light spill, and offer adaptable control. To meet these requirements, Signify, the Gemeente Oirschot and LRS Solutions collaborated closely, with LRS Solutions appointed to design and implement the central lighting control and management system.

At the heart of the new installation is the Pharos Expert controller. Expert provides an all-in-one control solution for managing the basilica’s exterior lighting. The reliable, low-power controller is compact and simple to install, with intuitive commissioning software offering curated lighting presets and familiar calendar-based scheduling for scene selection, ideal for heritage projects where subtle looks and predictable playback are the primary requirements.

To overcome the challenges of cabling restrictions around the historic site, the control system incorporates a wireless DMX solution from LumenRadio. This approach ensured a stable and resilient control infrastructure without intrusive installation work, preserving the integrity of the basilica’s surroundings.

The new lighting allows the municipality to tailor the appearance throughout the year, from traditional, understated daily illumination to special scenes for cultural events, religious celebrations and community moments. Time-based scheduling ensures energy-efficient operation, automatically adjusting the lighting to seasonal and environmental changes.

Johan Burggraaf, Manager for Projects & Services at LRS, commented: “Sint-Petrusbasiliek is a defining feature of Oirschot, and this project was about giving it a lighting system that honours its heritage while embracing modern technology. With Pharos Expert, we were able to deliver a flexible, reliable and centrally managed solution that supports both the architectural character of the building and the needs of the municipality.”

Bas Hoksbergen, Business Development Director at Pharos, added: “This project demonstrates how thoughtful lighting control can enhance a historic landmark without compromising its authenticity. Expert offered the right balance of simplicity, capability and long-term reliability. We’re proud to see Sint-Petrusbasiliek illuminated in a way that celebrates its significance for the community.”

With its new lighting control system in place, Sint-Petrusbasiliek has been re‑established as a striking night‑time focal point. The project showcases how modern lighting and control technologies can sensitively support heritage architecture, creating a meaningful and adaptable presence within the public realm.

Client: Gemeente Oirschot.

Lighting Consultancy & Luminaires: Signify.

Lighting Control Design & System Integration: LRS Solutions.

Lighting Control: Pharos Architectural Controls.

Wireless DMX Technology: LumenRadio.

Photography: LRS Solutions.

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The festival, which started in 2024 and is growing and developing each year, was staged in the gardens of the majestic and beautiful 11^th-century Château de Grillemont at La Chapelle-Blanche, south of Tours in France’s Indre-et-Loire region – a perfect summer environment for hosting the “Island of DJs”.

Loic worked closely with Corentin Poirier, the festival’s creative & executive director and founder, who designed the Maatea Stage’s dramatic scenography, based on a tall LED screen setup, which, together with the lighting, was based on the imaginative thematic concept of fire and rock, with the goal of creating a striking contrast between day and night atmospherics.

During the day, the need was for subtle lighting to highlight the depth and overall scenic texture created by the careful blending of stage and lighting designs, allowing the stage geography to stand out.

At night, the stage was transformed into a completely different space by the GigaPointe beams and their powerful and spectacular effects. The fixtures were installed in six vertical columns of eight fixtures, equidistantly spanning the stage and delivering a hugely impactful look and atmosphere, with video content featuring erupting volcanoes “reinforcing the visual universe,” explained Loic.

Loic stated that the organisers sought something unique and different in this design: “The main challenge was to create this new and different world, one that broke from a typical EDM festival stage design, looked distinctive and individual while still following a defined theme.”

This is the second time Loic – a lighting professional with 10 years’ experience – has lit this event, and the second time he had used Robe’s amazing, new, highly dynamic GigaPointe fixture, officially launched in February at the ISE 2026 Expo.

Tours-based rental company Multi Scéni – the lighting, audio and video equipment supplier to this event – has recently made this investment in GigaPointes, which were delivered by Robe France.

Loic has been an enthusiastic long-time user of Robe’s MegaPointe fixtures in his designs – choosing the fixtures for their versatility and scope. So, when he knew the GigaPointe would be available for this event, “it naturally stood out as the ideal choice!”

He comments on the GigaPointe’s “extremely powerful” laser source output, which “ensured that we could make a strong visual impact even over long distances.” He also appreciates its speed of movement, as well as the excellent array of new gobo and prism effects, which can be used to imagine a myriad of cool looks and scenes onstage.

One of the most important things for designing and programming EDM shows is to have a vast choice of distinctive looks – so the audience does not start seeing repeated scenes throughout the event… and this is exactly what GigaPointe offers.

The layout of the six columns of GigaPointes was instrumental to utilising the entirety of the stage dimensions – both horizontally and vertically – a geometric harmony that provided a balanced visual presence of all elements, with the fixtures a natural integrator/interpreter between the scenic fabrics and video surfaces.

Loic enjoyed many features of the GigaPointe, commenting that “the integrated rotating bar is particularly interesting, as it offers so many highly dynamic effects possibilities,” together with all the other features making it a potent, contemporary multi-purpose fixture ideal for all types of shows and events.

The festival’s logo, installed at the top of the structure, was also highlighted with two Robe iFORTES – rigged on the Layher structure – and another two iFORTES were used to front light the artists. iFORTE was chosen for this because it is a powerful fixture with excellent framing shutters and therefore perfect to pick out the detail of the 12-metre-wide logo, which was positioned 14 metres up on the structure.

Two Maatea Stage artists – Timmy Trumpet and Trym – brought their own lighting operators this year, who also appreciated the GigaPointes, and the rest were all lit by Loic and his team, including colleague lighting operator Lucas Bussy. They worked closely with video operator Bastien Sierakowski and SFX operator Paul Dubertrand under the project management of Charlène Rodrigues.

Loic regularly notes that Robe’s product range covers multiple applications – live shows, events and concerts or architectural lighting. “I always find a suitable solution using Robe,” he states, adding that the fixtures are reliable, high-performance, and versatile tools “consistently meeting the demands of our projects.”

Photo credit: Your Wolf Agency.

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Clayton J. Lloyd International Airport is Anguilla’s main aviation gateway. Located close to the island’s capital, The Valley, it is an important hub for tourism and regional connectivity across the Caribbean.

The airport recently underwent a major redevelopment programme led by the Government of Anguilla. Works included a new passenger terminal, upgraded airfield infrastructure and a full apron redevelopment. New aircraft stands were also introduced to improve operational efficiency and accommodate future growth.

To illuminate the expanded apron areas, high-performance lighting infrastructure was required to provide safe visibility for aircraft movements, servicing operations and ground handling activities. The lighting design needed to achieve ICAO Annex 14 recommended lighting levels while delivering reliable long-term performance in a demanding coastal airport environment.

CU Phosco was selected by Precision ATM following the specification of raise and lower high masts within the project requirements.

The lighting system comprised six 15-metre raise and lower high masts, two fixed columns, 15 FL820-1 LED floodlights and five FL830 LED floodlights. CU Phosco also provided lighting design and mast design services as part of the project.

Selected for their safety advantages, the raise and lower high masts allow ground-level access to the luminaires without the need for work at elevated height and the subsequent need for specialist elevated access equipment or disruption to airfield operations.

Designed in accordance with ICAO Annex 14 recommendations, the lighting scheme delivers uniform illumination across the expanded apron and aircraft stand areas while helping to maintain safe operating conditions across the airfield.

The completed installation forms part of the wider transformation of Clayton J. Lloyd International Airport, with the redevelopment delivered by main contractor AECON AC. The airport officially opened in December 2025.

New LED lighting now provides reliable, high-quality illumination across key operational areas of the airfield. This ensures safe aircraft manoeuvring, apron operations and ground servicing activities. The use of modern LED floodlights also delivers excellent light quality and a long operational life that is suitable for demanding airfield environments.

By incorporating raise and lower high masts into the design, the airport benefits from safer, simplified maintenance access and reduced operational disruption during future servicing requirements, an important consideration within live aviation environments.

Dave Smith, Director, Precision ATM commented: “Delivering reliable apron lighting was an important part of the airfield lighting project. CU Phosco’s experience in high mast lighting and airfield applications helped provide a solution that met the project’s operational and maintenance requirements while aligning with the airport’s long-term expansion plans.”

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White Light (WL) is proud to have supported the Watermill Theatre’s ambitious new production of Chitty Chitty Bang Bang, where lighting designer Jai Morjaria has delivered a bold and inventive design that transforms a compact venue into a world of spectacle.

Tasked with reimagining a much-loved musical within one of the UK’s most intimate theatre spaces, Morjaria approached the project with a clear brief to achieve the seemingly impossible. A single small stage needed to represent multiple locations while also accommodating a flying car, meaning lighting became central to how the story was told and experienced.

“We had to find a way to make a show that takes place in so many different locations exist within one small space, whilst still delivering the magic,” explains Jai.

This production differs significantly from traditional large-scale versions of Chitty Chitty Bang Bang. With a cast of actor-musicians and limited space, the design relies on creativity rather than scale. Lighting plays a pivotal role in supporting illusion and enhancing the integration of puppetry, automation and set.

The post White Light helps bring ‘fantasmagorical’ magic to life at the Watermill Theatre appeared first on A1 Lighting Magazine.

These were installed across various locations within the Silver Leaf Garden at popular horticultural attraction, Gardens by the Bay.

Fengmao has worked extensively in lighting photography and film environments as well as experimental theatre and spatial/interactive installations. Once again, he thought out-of-the-box for this project after being approached by lighting rental contractor and technical production company True Colour Media (TCM) and asked to develop a lighting concept designed to enhance the sculptures and extend the audience experience beyond daylight hours, allowing the works to be appreciated long after sunset.

The decision to use the Astera QuikSpot – a highly flexible and innovative battery-powered LED luminaire with the highest quality output, coupled with ease of use, consistent performance and rapid setup in a compact format – was an ideal fit for all technical requirements, explained Fengmao.

The QuikSpots were sold to TCM by Astera’s Singapore distributor, Total Solution Marketing.

On site at Gardens by the Bay, two QuikSpots fixtures were deployed to light the fronts of each of the six iconic sculptures – Adam and Eve, Cat, Horse, Seated Woman, The Dancers, and Woman on Horse.

The lights were set to a warm white colour, which resonated harmoniously with their form, copper finish, and textures.

The QuikSpots were perfect for working in Singapore’s harsh tropical climate with constant high humidity, and being located outdoors, it was also mission-critical that they were IP65 rated to withstand the frequent thunderstorms.

Security was also a consideration. Even in the extremely low crime environment of Singapore – the lights sitting on the ground were potentially tempting for pranking or mischief seekers – but with Astera’s smart Anti-Theft Alarm feature enabled, this was minimised!

When activated, the alarm triggers a visual and audible alert if the fixture is moved or tampered with, and the alarm status is highlighted in the AsteraApp, so technical crews can monitor if any lights have been disturbed!

Furthermore, Fengmao and the team wanted a fixture with the flexibility of being able to switch between programmed sequences, colours, etc., for the four-month duration of the exhibition.

And to top it off, it would have been extremely difficult to install a traditional control system at the location without extensive works.

The aesthetic appearance and ergonomics of the fixtures themselves was yet another detail that was considered, and how well they blended into the environment, plus, being able to work with the AsteraApp for control – through a secured radio PIN – gives peace of mind in a signal-dense environment like Singapore.

Quality of light was, naturally, another “top priority” for Fengmao on this project and an area in which all Astera products excel.

“The QuikSpot’s single point light emission ensures a homogeneous output and shadowing compared to traditional LED PAR lights,” he noted, adding that this was important for working with the distinctive contours of the Fernando Botero pieces, as the lighting needed to preserve the inherent simplicity of their form.

Controlling stray light was another challenge, both for enhancing the meticulously curated space in the Silver Garden, and ensuring that they don’t encounter glare, keeping the focus firmly on the artworks. “We used the Astera AX5 snoot to maintain a clear profile and reduce glare,” Fengmao explained, and the QuikSpot’s zoom was “extremely helpful” in offering greater freedom for angling and positioning the fixtures.

The exhibition opened as part of the 2026 Singapore Art Week in January and then ran until May and was a huge success.

Photo credit: Lee Jun Yan.

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Zumtobel was appointed to deliver a comprehensive lighting solution spanning multiple floors of the building, including data halls, plant areas and a pioneering liquid cooling demonstration suite. The project highlights the role of adaptable lighting infrastructure within mission-critical environments where performance, reliability and flexibility are essential.

Global Switch’s London campus is undergoing continuous redevelopment to accommodate the rising demands of AI and high-performance computing. As part of this programme, refurbished floors required lighting capable of supporting operational safety, visual clarity at rack level and long-term energy efficiency.

The project brought together multiple consultants and stakeholders across different phases, including Hilson Moran, Burns & McDonnell and AFK Studios, with Datalec Precision Installations (DPI) responsible for installation. Coordinating design intent across eleven floors while maintaining consistency and programme alignment presented a significant logistical challenge.

Collaboration supporting phased delivery

Zumtobel’s nationwide project team worked closely with consultants, contractor and client representatives to ensure a cohesive approach across each stage of the refurbishment. Clear communication and a shared understanding of operational requirements allowed the lighting strategy to evolve alongside the building programme while maintaining consistency across floors.

Ken Knight, Head of Data Centres – UK & Ireland, Zumtobel Group, comments: “Data centre environments place very specific demands on lighting, from vertical illuminance at rack level to reliability and energy efficiency. Our role was to translate those requirements into a scalable solution that could be implemented across multiple floors while supporting Global Switch’s ongoing expansion and innovation strategy.”

A flexible lighting platform for data-driven environments

The final solution combined robust industrial luminaires, advanced emergency systems and intelligent controls to meet the operational demands of a high-density data centre.

TECTON continuous-row lighting formed the backbone of the data hall installation, delivering precise vertical illuminance on rack frontals through split-lens optics. This approach enhances visibility for maintenance and operational tasks while avoiding unnecessary light spill onto circulation areas.

TECTON with RESCLITE PRO emergency luminaires were integrated with the eBOX monitoring platform, providing a self-testing and self-reporting emergency solution aligned with the reliability expectations of mission-critical facilities.

Across plant areas, offices and shared spaces, AMPHIBIA luminaires were selected for their durability and IK-rated performance, ensuring resilience in technically demanding environments. ECOSIGN emergency signage supported safe navigation, while the LITECOM lighting management system enables centralised monitoring and control across all luminaires.

As the refurbishment progresses, TECTON II is planned for levels eight and nine. Its plug-and-play architecture supports faster installation, with independent installer studies showing average installation speeds of up to 70% faster than comparable systems, helping streamline delivery across future phases.

Matt Perrier Flint, Director UK & Ireland, DPI, comments: “Delivering a project of this scale required close coordination between all parties. The modular design of the Zumtobel lighting system simplified installation and helped maintain programme certainty, while the collaborative approach ensured that technical requirements were clearly understood at every stage.”

Supporting innovation in the liquid cooling suite

Level 10 houses Global Switch’s liquid cooling demonstration suite, showcasing a full breadth of the latest technologies designed to enable the most powerful chips to operate with greater efficiency and at higher densities. Designed by AFK Studios, the space was developed in collaboration with project partner JPR in developing the lighting solution to complement the technical environment while maintaining clarity and operational safety.

The scheme illustrates how adaptable lighting infrastructure can support evolving digital technologies and demonstration environments without compromising efficiency or maintainability.

Measurable benefits across performance and operations

The upgraded lighting delivers a range of operational advantages for Global Switch:

• Improved vertical illuminance supporting safe and efficient rack maintenance
• Reduced energy consumption through LED technology and intelligent controls
• Simplified installation and future adaptability via modular TECTON architecture
• Self-monitoring emergency lighting enhancing reliability and compliance
• Durable luminaires suited to plant and technical environments

Together, these improvements provide a consistent lighting platform capable of evolving alongside the campus’s ongoing densification and technology development.

Derek Allen, Group Operations Director at Global Switch, comments: “Across our global portfolio, operational resilience and flexibility are fundamental. The lighting strategy implemented at our London data centre supports safe, efficient operations while giving us the adaptability required to meet evolving customer demands. It forms part of the wider infrastructure platform that enables us to support increasingly complex AI and high-performance computing deployments.”

Emily Clark, Global Switch, adds: “As our London data centre continues to evolve to support the demands of the most powerful AI and high-performance workloads, it was important that the supporting infrastructure could match that pace of innovation. The lighting solution delivered by Zumtobel provides the performance, flexibility and reliability we require across both operational data halls and demonstration spaces.”

To view the full project, please visit https://www.zumtobel.co.uk/en-gb/cs/global-switch

 Photography: Zak Poland

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Located on Addu Atoll in the southern Maldives, Gan International Airport is one of the country’s international gateways and plays a vital role in supporting tourism, trade and regional connectivity. Operated by Addu International Airport Pvt. Ltd, the airport is currently undergoing a significant programme of expansion and modernisation aimed at transforming the former military airfield into a modern aviation hub capable of handling 1.5 m passenger per annum.

As passenger numbers and aircraft movements have increased, the airport has placed growing emphasis on upgrading critical airfield infrastructure to meet international performance and safety standards. Apron lighting formed a key part of this strategy, with a requirement to improve illumination quality, reduce energy consumption and ensure compliance with ICAO Annex 14 requirements.

CU Phosco had previously supplied the original raising and lowering high masts and HID floodlighting systems at Gan International Airport many years earlier. In 2021, the airport operator approached CU Phosco directly to explore a transition to LED technology, building on the existing high mast infrastructure while delivering improved operational performance.

The upgrade was planned as a two-phase programme, allowing the airport to manage investment, minimise disruption and align lighting improvements with wider development works across the site.

CU Phosco was appointed to provide a complete lighting solution, including lighting design, lantern carriage design and supply, and the provision of high-performance LED floodlights for all apron areas. The design brief was clear: deliver apron lighting fully compliant with ICAO Annex 14, while improving uniformity, visibility and operational efficiency across the airfield.

The aprons are illuminated by six existing high masts. Phase 1 of the project, completed in 2022, focused on the eastern apron area, where CU Phosco supplied 16 FL810-1 LED floodlights along with three new lantern carriages designed to accommodate the upgraded luminaires. Phase 2, completed in December 2025, addressed the western apron area, with the installation of 15 FL820-1 LED floodlights and a further three new lantern carriages.

A full lighting design was undertaken for the entire apron area to ensure compliance with ICAO requirements for illumination levels and uniformity, while making best use of the existing mast locations. The new lantern carriages were engineered to integrate seamlessly with the original high mast structures, enabling a straightforward upgrade without the need for mast replacement.

Andrew Southgate, Export Manager at CU Phosco, explains: “This was a carefully phased upgrade that allowed Gan International Airport to transition from HID to LED lighting while continuing normal operations. By upgrading the lantern carriages and introducing LED floodlights across both phases, the airport has achieved a significant improvement in lighting quality and efficiency while retaining the long-term value of its existing high mast assets.”

The completed upgrade has transformed apron lighting performance at Gan International Airport. All apron areas are now illuminated using LED floodlights, delivering improved visibility, better colour rendition and enhanced uniformity to support safe aircraft movements and ground operations.

The transition from 35 x 1000W HID floodlights to 31 LED floodlights has delivered energy savings of more than 60 percent, significantly reducing operational costs while supporting the airport’s wider sustainability objectives. The LED system also reduces ongoing maintenance requirements and improves long-term reliability as the airport continues to expand its operations.

Abdul Mujahid, Manager Airfield Technical Services, commented: “Upgrading the apron lighting to LED was an important step in our wider modernisation programme. CU Phosco’s phased approach allowed us to improve lighting performance, achieve significant energy savings and meet ICAO requirements while making use of our existing high mast infrastructure. The result is a safer, more efficient apron environment that supports both current operations and future growth.”

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