Eastbourne has one of the UK’s largest ageing populations. Thousands of residents live with sight impairment or visual accessibility challenges, making safe navigation through busy public spaces an important consideration within the town centre. Street furniture and poorly positioned obstacles can create significant difficulties and reduce confidence when moving around independently.

To help address these challenges, an accessibility-focused streetscape project was developed along the Victoria Place section of Terminus Road. The project was funded by Eastbourne Borough Council using Levelling Up Funds, working with East Sussex Highways, a partnership between Balfour Beatty Living Places and East Sussex County Council who were delivering the scheme The busy pedestrian route connects Eastbourne railway station with the seafront and is heavily used by both residents and visitors. Improving accessibility along this key route became an important part of the wider redevelopment works.

Attention was also given to how lighting columns would appear in different conditions, from bright summer daylight through to darker winter evenings.

James Powis, Key Accounts Manager, CU Phosco explains: “This project was very different from a conventional column installation because accessibility considerations were central to the design process from the outset. Working closely with East Sussex Vision Support allowed the team to better understand the day-to-day challenges faced by blind and partially sighted pedestrians and how street furniture placement and visibility can directly affect confidence and safety within public spaces.

The consultation process included site walk-throughs, discussions around pedestrian movement and demonstrations showing how different visual impairments affect visibility in real-world environments. That feedback played an important role in shaping the final column arrangement and banding approach.”

CU Phosco supplied 21 lighting columns for the pilot scheme. A mixture of 5m and 8m columns were installed throughout the route. To remain in keeping with the wider Eastbourne streetscape aesthetic, the team incorporated Heritage brackets in the final design.

One of the key features of the project was the introduction of yellow banding at multiple heights on the columns. Positioned at head, chest and waist height, the bands were designed to improve visibility for pedestrians with varying levels of sight impairment.

The choice of yellow was informed through consultation with accessibility groups and wider guidance around visual impairment. Yellow is widely recognised as one of the most visible colours for people with reduced vision and remains distinguishable across changing light conditions and varying levels of sight loss.

James continues: “Column placement was another important factor within the scheme. The team carefully considered pathway widths, pedestrian pinch points and the movement of guide dog users to help create a route that felt safer and easier to navigate.

While the project maintained the visual character of the surrounding environment, accessibility remained a priority throughout the design process.”

The completed scheme provides a more accessible pedestrian environment for blind and partially sighted users in the town centre. By improving the visibility of street furniture and carefully considering column positioning, the project aims to increase both physical safety and user confidence within a busy public realm setting.

Steve Saunders, Campaigner Quality and Access Lead from East Sussex Vision Support commented: “You listened. It was important that this approach was carried through so that this seafront town is accessible to all. It makes a massive difference to visually impaired people and we hope to see similar schemes rolled out across East Sussex and beyond.”

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Signify has delivered a landmark LED lighting upgrade at the London Aquatics Centre to drive performance, energy saving, efficiency and long-term sustainability at one of the UK’s most iconic sporting venues, also known to be the most technologically advanced swimming facility in the world.

Designed by Zaha Hadid, the London Aquatics Centre was built in 2012 and immediately took its place on the world stage as a venue for that summer’s elite swimming and diving events. More than a decade later, operator Everyone Active undertook a major modernisation project to replace the venue’s legacy lighting system with energy-efficient LED technology. A key requirement was achieving the stringent World Aquatics (formerly FINA) television broadcast standard of 1,500 lux Ev.

To achieve this, Signify partnered with DC Electrical Supply to deploy a lighting system designed for the unique demands of the venue’s architecture. With luminaires suspended up to 40 metres above water, access, precise aiming and adjustment using conventional methods were challenging and time-consuming. While traditional flood lighting approaches could provide general illumination, they lacked the precision and data validation needed to meet the project’s demanding performance requirements.

Instead, Signify deployed a proprietary solution designed to translate an on-paper lighting design into real-world accuracy. By combining its advanced ArenaVision LED gen3.5 luminaires with an innovative Augmented Reality (AR) aiming system, Signify enabled installers to accurately align each luminaire, even at heights of up to 40 metres above the pool.

A detailed grid over the pool area enabled installers to align each luminaire precisely with the original lighting design. Instead of relying on a visual aiming scope, the installers used a smartphone attached to the luminaire to aim the lights directly at the grid. This approach reduced time spent working at height, improved installation accuracy, and ensured the final lighting performance matched the design intent. Any subsequent adjustments could be made quickly and precisely, delivering measurable and repeatable results.

The installation includes 168 ArenaVision luminaires providing the main competition lighting, complemented by 16 UniFlood Flat luminaires that add additional flexibility. The luminaires are paired with a DMX control system to enable immersive and adaptable lighting scenes that enhance sporting events and audience experiences while meeting the requirements of elite competition.

The new lighting provides excellent visibility for athletes and fully complies with the World Aquatics broadcast standards, helping the venue maintain its status as a top destination for televised sporting events. Compared with the previous HID lighting system, the LED solution delivers significant energy savings of up to 60 percent when used in full capacity. The addition of DMX controls also gives venue operators greater flexibility to create engaging experiences for spectators and support a wider range of events.

Simon Wilkinson, Commercial Leader, Public UK, Signify, said: “The London Aquatics Centre first took its place on the world stage under Signify lighting in 2012. More than a decade later, we are proud to have been chosen once again to help future-proof this iconic venue with a new generation of lighting performance, flexibility, and energy efficiency that will support athletes, spectators, and broadcasters for years to come.”

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White Light (WL) has supplied lighting solutions for the 2026 production of Cats at Regent’s Park Open Air Theatre, supporting an ambitious new interpretation of the Andrew Lloyd Webber classic. Running from 25th July to 19th September 2026, the production reimagines the beloved musical through a fresh visual language that embraces the theatre’s unique outdoor setting.

Designed by Jessica Hung Han Yun, the lighting design plays a pivotal role in transporting audiences into the magical world of the Jellicle Cats, whilst responding to one of the venue’s most distinctive features: the transition from daylight to darkness throughout each performance.

When first approached to light the production, Hung Han Yun saw an opportunity to rethink the musical for a new generation. She comments: “It felt like it needed to be something completely different from the original. The whole creative and production team were brilliant in seeing a new approach to Cats and viewed it as an opportunity to inject a fresh vision into the show.”

Working closely with director & choreographer Drew McOnie and set, costume & wigs designer Sami Fendall, Hung Han Yun helped create an environment that feels both ritualistic and otherworldly, reflecting a world the cats have inhabited for years.

“The space needed to feel magical and ethereal, filled with endless possibilities. We worked closely to integrate light within the set and props, creating a world where anything feels possible.”

Lighting also plays a crucial role in supporting the musical’s emotional journey. From moments of vaudeville-inspired spectacle to scenes of danger, mystery and elation, the design continually evolves alongside the score and choreography.

“The most important thing the design needed to do was support the storytelling of the musical narrative throughout.”

The outdoor environment of Regent’s Park Open Air Theatre presented both creative opportunities and technical challenges. Unlike a traditional theatre space, the show begins in natural daylight before gradually transitioning into darkness as the evening progresses.

“As a lighting designer, your relationship with light is completely different. The sunlight is there from the top of the show and slowly throughout the evening the darkness follows. You really track the story of the cats from sunset through to the appearance of the moon.”

This natural progression became an integral part of the storytelling, complementing the production’s themes of transformation and wonder.

Delivering the design required careful planning, with lighting positions influenced by the surrounding landscape, as well as the production’s moving set elements.

“At the park, there are certain locations where lights can be placed that are dependent on the position of trees and bushes. There are no overhead lighting positions either, so the way you approach the design is completely unique.”

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Baltic Works in Gateshead has undergone a full refurbishment, transforming the existing building into a more welcoming and visually engaging environment. As part of the redevelopment, Light Forms were appointed by Park lighting design on behalf of Robertson Engineering Services to develop and supply the lighting solutions to bring the project’s lighting vision to life.

Robertson Engineering Services provided the initial project brief and indicative layouts, which were developed in collaboration with Park Lighting Design. The design focused on creating a clean, considered lighting scheme that complemented the wider refurbishment, with Light Forms working alongside the team to develop the detailed lighting design and specify products suited to the space.

A key focus of the refurbishment was the building’s previously basic entrance. The opportunity to create a more striking reception space formed an important part of the brief, with the lighting playing a central role in establishing a strong first impression for visitors.

At the heart of the reception is a statement neon sign positioned above the desk, creating an immediate focal point within the space. This is complemented by Light Forms’ Lightplane 2.5, used within the dark ceiling to create clean, continuous lines of light that follow the architecture and help define the reception area.

The Lightplane 2.5 was particularly well suited to the project, not only for its sleek appearance but for its ability to create the precise, uninterrupted lines required across the ceiling. Bespoke lengths allowed the fittings to respond directly to the layout of the space, whilst the uniform, low-glare light output provides visual comfort for a busy reception environment. The result is a lighting feature that feels integrated into the architecture rather than simply added to it.

The fittings are also controlled using Casambi wireless technology, giving the end user the ability to adjust lighting scenes easily to suit different activities and requirements. This adds a layer of control to the scheme without compromising the clean aesthetic of the reception.

The lighting approach extends beyond the reception, with decorative pendant luminaires introduced into the breakout spaces to add visual interest and a warmer, more inviting character. Across the wider building, the lighting control strategy was also upgraded, with Ex-Or detectors integrated with the existing system throughout the gym and circulation areas. Together, these elements help create a more cohesive and efficient lighting experience across the building, supporting both user comfort and day-to-day operation.

From the statement neon feature and bespoke linear runs to the considered use of decorative lighting and intelligent controls, the completed scheme gives Baltic Works refurbished spaces a stronger sense of identity. For the reception in particular, Light Forms and Park Lighting Design have transformed a previously basic entrance into a distinctive arrival area, using light to complement the architecture, improve visual comfort and create a more engaging experience for visitors.

Speaking on the project Jasmine Benson MSLL, Senior Lighting Design Engineer at Park Lighting Design commented, “The aim was to create a reception space that felt distinctive, welcoming and integral to the architecture, rather than simply adding lighting to an existing space. The Light Forms Lightplane 2.5 gave us the precision and flexibility to create clean, continuous lines that respond to the geometry of the ceiling, while the controlled, low-glare output keeps the space comfortable for visitors and staff. Combined with the statement neon feature and flexible Casambi control, the lighting has helped give the refurbished entrance a much stronger sense of identity.”

The project demonstrates how lighting can become an integral part of a wider refurbishment, combining architectural integration, practical performance and considered control to enhance how a space looks, feels and functions.

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Britannia Quay sits on the north side of Roath Basin in Cardiff Bay, a location shaped by maritime history and ongoing port activity. Positioned close to the Senedd and overlooking active shipping routes, the quay combines historic character with a working waterfront environment.

When concerns were raised about the condition of the existing lighting, it became clear that a straightforward replacement would not be enough. Lanterns were ageing, some units had failed, and the original brackets showed clear signs of corrosion. The Estates team engaged the Highways Streetlighting team for guidance.

As the existing functional lighting columns passed the structural testing procedure, the lighting unit’s lantern and bracket became the main focus and the challenge quickly evolved.

As the original lanterns could not be sourced and their origins were unknown, a like-for-like replacement required careful consideration. The Ealing lantern provided a strong visual match, ensuring continuity across the quay.

Alongside the lantern upgrade, Acrospire designed and refurbished the existing brackets, restoring them to a structurally sound condition while retaining their distinctive form.

The original installation showed clear signs of age, with corrosion across the bracket and deterioration in the lantern housing. Rather than replace outright, the bracket assembly was re-engineered to improve structural integrity and long-term performance, resulting in a cleaner, more refined profile better suited to the coastal environment.

While the new lanterns offer a clear improvement in performance, the upgrade remains visually subtle, preserving the character of the quay without drawing attention to the intervention.

During the design phase, environmental considerations formed an important part of the scheme, particularly around the potential impact of light spill on bats and Cardiff Council’s Biodiversity Duty under the Environment (Wales) Act 2016.

As expected for the location, an ecologist identified common and soprano pipistrelles foraging and commuting alongside the dock. In response, the lighting design was adapted to help minimise potential impact on local wildlife while maintaining safe and effective illumination.

A key change was the move from Cardiff’s standard 3000K specification to 2700K, marking the first scheme of its kind in the city. Light spill contours were also carefully assessed during the design process. The lanterns already featured a directional spill bias towards the required areas, which performed positively during on-site evaluation.

Following this assessment, additional front and rear louvres were introduced to further reduce light spill onto surrounding areas and the adjacent waterway.

Together, these measures helped create a solution that balanced ecological considerations with operational and public safety requirements.

The lanterns operate via photocell control, providing a simple and reliable solution suited to the quay environment.

Manufactured in the UK using locally sourced materials, the Ealing lantern combines durability with a reduced carbon footprint. A marine-grade painted finish further supports long-term performance in this exposed coastal setting.

A key factor in the project’s success was the collaborative approach between the Highways team and Acrospire, building on an established working relationship.

The upgrade delivers a clear improvement in both performance and reliability. The transition from SON to LED reduces energy consumption while providing more consistent light output across the quay.

Feedback from both the client and local residents has been positive, with the new lighting integrating seamlessly into its surroundings while delivering a noticeable uplift in quality and performance.

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Coláiste na Mí forms part of the wider Johnstown Education Campus in Navan, a growing educational hub designed to support a rapidly expanding student population. Since opening in 2013, the school has evolved significantly, with ongoing development phases increasing capacity and enhancing facilities to meet future demand.

Working alongside Hayes Higgins Partnership and MDE Installations, Thorn and Zumtobel have supported multiple stages of the campus development, delivering a cohesive lighting strategy across teaching spaces, social areas and external environments. The project also includes the completed St Mary’s Special School, alongside new and refurbished buildings across the campus, with further phases currently under construction.

A brief shaped by flexibility and educational standards

The lighting design needed to respond to a diverse and evolving campus, supporting a wide range of learning environments while meeting strict Department of Education requirements. From classrooms and specialist teaching areas to circulation routes and outdoor spaces, the scheme required consistency in performance alongside flexibility for future expansion.

A key driver was the ability to deliver a complete lighting solution through a single provider, ensuring compatibility across internal and external applications while maintaining programme efficiency and cost control.

Developing a cohesive campus lighting approach

A coordinated mix of Thorn and Zumtobel luminaires was specified to meet the functional and visual requirements of each space while maintaining a unified lighting language across the campus.

In classrooms, Thorn College luminaires provide uniform, low-glare illumination designed to support concentration and visual comfort throughout the school day. Their high efficiency and long service life also contribute to reduced energy consumption and maintenance requirements.

Circulation areas and shared spaces are supported by a combination of linear and compact luminaires, including Novaline and Katona, delivering consistent light levels while guiding movement across the building.

Philip Dewey, Key Account Manager at Zumtobel Group, explains one of the key strengths of this project was the ability of Thorn and Zumtobel to provide a complete lighting solution across the entire campus. By drawing on the strengths of both brands, we were able to offer the right product for each application, ensuring consistency in quality, performance, and design throughout the development.

From the car parks and external areas through to classrooms, circulation spaces, multipurpose rooms, and back-of-house facilities, each space had its own unique requirements. Working closely with the design team at Michael Stapleton of Hayes Higgins Partnership, we developed a lighting scheme that was not only functional and energy-efficient but also complemented the architectural vision for the building.

The completed project demonstrates how the combined expertise and product portfolios of Thorn and Zumtobel can deliver a cohesive lighting solution across an entire campus, creating comfortable, welcoming, and effective spaces for students, staff, and visitors alike.

Supporting a positive learning environment

Throughout the campus, the lighting scheme has been designed to enhance both functionality and wellbeing. Carefully selected colour temperatures support different activities, with balanced illumination improving visibility, reducing eye strain and creating comfortable learning environments for students and staff.

The use of the latest LED technology contributes to lower energy consumption, supporting the school’s operational sustainability while ensuring long-term performance.

A collaborative approach across multiple phases 

Delivering a consistent lighting strategy across a developing campus required close collaboration between all stakeholders. Working alongside Hayes Higgins Partnership and MDE Installations, the Thorn and Zumtobel team ensured that each phase aligned with the overall design intent while accommodating evolving requirements.

Michael Stapleton, Senior Engineer, Hayes Higgins Partnership, comments: “This project required a coordinated lighting approach across multiple buildings and phases, with a strong focus on meeting Department of Education standards. Thorn and Zumtobel provided a reliable and well-considered solution that met performance requirements while allowing flexibility as the campus continues to develop. Their collaborative approach and responsiveness throughout the design and delivery stages helped ensure a smooth outcome. Special thanks to Philip Dewey for his invaluable technical support and assistance throughout the project, which was greatly appreciated.

A future-ready campus lighting solution

The completed and ongoing works at Coláiste na Mí demonstrate how lighting can support both immediate needs and long-term development. With multiple buildings now complete, including Blocks A–D, St. Martha’s Building and St Mary’s Special School, and further phases in progress i.e. Sion House, the campus continues to evolve with a lighting solution that is flexible, efficient and consistent.

By combining the strengths of Thorn and Zumtobel, the project delivers a lighting scheme that enhances the learning environment, supports campus-wide cohesion and is ready to adapt to future growth.

Photography accreditations: Zach Sheridan/Paul Moore.

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With its unapologetically vibrant identity, P.Louise City brings the brand’s signature creativity and energy into a physical space. With TJM Projects acting as Principal Designer and Contractor, H&O Electrical and P&A Projects collaborated on the electrical and lighting design, developing a considered approach that supported the ambitious interior concept. P&A Projects also created a series of bespoke lighting solutions designed to complement the distinctive aesthetic and enhance the customer experience throughout the space.

Throughout the scheme, P&A Projects delivered a series of striking feature luminaires, centred around their FlexSpace range. Finished in P.Louise’s signature pink, multiple curved linear installations span the space, with lengths of 14.3m, 14.4m, 13m and 21.1m forming fluid, sculptural elements that guide shoppers and users through the interior.

A 9.5m diameter circular FlexSpace feature, complete with 30 TL90 spotlights, creates a dramatic focal point, whilst a rectangular FlexSpace installation incorporating 22 TL90 spotlights adds further visual impact. These features not only enhance the aesthetic of the space but also provide flexible, high-quality illumination tailored to the various functional zones within this unique build.

To complement the statement lighting, P&A Projects supplied Swivel and Scop downlights in a bespoke pink finish, alongside Astreo downlights and TL-TRK50 track lighting in white. A 3-circuit track system ensures adaptability across the space, supporting the dynamic and evolving nature of the retail environment.

The combination of decorative feature lighting and technical solutions delivers a layered scheme that balances visual drama with practical performance. The use of colour, form and scale throughout reflects the bold branding of P.Louise, creating a cohesive and highly memorable customer experience.

Neil McClymont, Lighting Design and Technical Manager from P&A Projects said: “P.Louise City is a project that really celebrates creativity and individuality. The lighting needed to do more than simply illuminate the space; it needed to become part of the experience. FlexSpace gave us the flexibility to create bespoke features that matched the energy and personality of the brand, resulting in a scheme that is both visually striking and highly functional.”

The completed P.Louise City is a destination like no other, combining retail and experience in a way that encourages exploration, engagement and social interaction. The lighting plays a pivotal role in bringing this vision to life, ensuring every detail contributes to the overall atmosphere.

Project credits
Principal Designer & Contractor: TJM Projects
Electrical/Lighting Design: H&O Electrical/P&A Projects.
Electrical Contractor: H&O Electrical.
Lighting Manufacturer: P&A Projects Palace Lamp Co.
Images: P&A Projects.

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The project reimagines the building’s reception through a hospitality-led approach, creating a warmer and more refined arrival experience that reflects the quality of its prestigious Mayfair location. Alongside the complete reception redesign, the wider refurbishment included a targeted façade replacement and the introduction of premium end-of-trip facilities inspired by luxury hospitality environments.

Working to lighting design created by dpa lighting consultants, Lucent Lighting supplied a discreet combination of downlights and accent lighting to support the overall architectural vision.

The lighting throughout the reception has been kept deliberately understated, allowing the architecture, materials and finishes to remain the focus. Soft50 Trimless downlights with LED35 modules provide the main layer of illumination, integrated discreetly within the ceiling, whilst Edge90 Accent downlights with LED51 modules are used to pick out key details and introduce greater depth across the space.

This combination supports the wider lighting concept, bringing warmth and definition to the reception and helping create a more welcoming, hospitality-led arrival experience at the heart of the refurbishment.

The wider refurbishment has also enhanced the building’s long-term performance, with 48 Dover Street achieving EPC B, BREEAM Excellent and WiredScore Gold.

Marco Tolaini, Sales Director at Lucent Lighting, said, “48 Dover Street is a great example of how lighting can help create a more welcoming, hospitality-led feel within a commercial space. Our products have been carefully integrated into the architecture, providing a combination of general and accent lighting that complements the materials and detailing throughout the reception. It’s a considered scheme that really suits the building and its Mayfair location.” 

Project Credits

Client: Crosstree Real Estate Partners LLP.

Project Management: Storey.

Interior Architecture: GA Design.

Lighting Design: dpa lighting consultants.

Lighting Supplier: Lucent Lighting Ltd.

Photography Credits: Ed Reeve.

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Glamox has won a contract to provide marine lighting for Formosa 4, one of Taiwan’s most significant offshore wind farms. Glamox will supply over 900 specialised marine lights for the transition pieces of 35 wind turbines. Glamox has signed the contract with ProCon Taiwan and SK oceanplant.

Glamox’s offshore wind farm dedicated lighting will illuminate both the interior and exterior of each turbine’s transition pieces, which connect the wind turbine to its foundation. The foundational platforms will include Glamox lights covering the boat landing areas, guardrails, ladders and access doors to the turbine’s interior.

Developed by Synera Renewable Energy (SRE), the Formosa 4 offshore wind farm site spans roughly 58 square kilometres and is located around 20km off Taiwan’s West coast. Once completed, the wind farm is expected to generate approximately 495 megawatts of green electricity annually – enough to power around 500,000 households.

“Lighting is an important component of any offshore wind development project”, said General Manager Asia, Jimmy Tzou of Procon Taiwan. “The Formosa 4 wind farm will be operating in harsh marine conditions with direct exposure to fluctuating temperatures and seawater. For our transition pieces, we need robust, reliable marine lights that can withstand these demands. Glamox’s durable LED marine lights will also help us lower maintenance costs and achieve energy savings. We look forward to working with Glamox on this project that will support the growth of Taiwan’s renewable energy sector.”

The transition pieces’ platforms will feature a variant of Glamox’s MIR G2, which is specifically designed for Taiwan offshore wind applications. The platforms will feature Glamox’s FL60 LED floodlights, designed to withstand seawater and harsh conditions. The lighting for the transition pieces will be delivered in August 2026 and is being fabricated by Century Wind Power (CWP) in Taiwan and SK oceanplant in Korea.

“We are excited to work with ProCon Taiwan and SK oceanplant to supply our marine lighting for one of Taiwan’s most ambitious offshore wind projects,” said Tommy Stranden, the Chief Sales and Commercial Officer of Glamox’s Marine, Offshore & Wind division. “We have many decades of experience in delivering high-quality marine lighting, including for several of the world’s largest offshore wind farms. Our marine lighting is proven to withstand the 45 degrees plus temperatures, humidity, and corrosion from seawater that the Formosa 4 wind farm will be exposed to.”

Formosa 4 follows the earlier development of Formosa 1 and Formosa 2 offshore wind farms, which helped establish Taiwan as a leading offshore wind market in Asia.

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The UK has become a hotspot for European data centre development, swelling the demand for lighting and M&E. However, the value of lighting as a ratio of the overall construction cost is significantly lower than in traditional buildings, reports the Greater Manchester-based company.

In 2024, the UK data centre lighting market was worth around £54 million – around six percent of the entire UK commercial lighting market. However, that figure is set to explode upwards over the next four years.

“The unprecedented growth of the UK data centre market presents both big opportunities and challenges to lighting manufacturers”, explains Richard Williams, Head of Strategic Projects at Whitecroft Lighting.

“It’s impossible to ignore a growing £32 billion market on your doorstep: to put that in perspective, the entire capital investment budget for NHS estates is around £10 billion this year.

However, data centres present a unique environment, both in their complexity and scale, with developers facing systemic challenges, such as access to the grid and renewable energy, technical resilience and access to water for cooling all taking precedence over more traditional construction and M&E.”

Richard continues: “As a result, Whitecroft’s Strategic Projects team have calculated that the value of data centre lighting, when compared to the overall cost of construction, is 60 percent lower than for a typical commercial building.

However, such is the size of the latest multi-billion-pound hyperscale data centres that larger manufacturers, such as Whitecroft Lighting, can offset this by fulfilling big, varied contracts.”

Whitecroft Lighting has focused on larger-scale infrastructure projects in recent years, particularly where security and resilience are key considerations, as the company manufactures all its products at a large, secure UK facility.

In 2022, Whitecroft secured a contract to custom-design and build the first LED lighting specified for the UK nuclear industry, installing 40,000 LED luminaires at Hinckley Point C in Gloucestershire.

The Greater Manchester-based company also supplied £3 million of lighting to Manchester Airport’s flagship Terminal 2 rebuild and refurbishment projects, supplying 25,000 lights.

Drawing on this knowledge and experience in large-scale sensitive infrastructure, Whitecroft Lighting has recently secured a contract to supply two data centres: one in Portugal and another near Frankfurt, Germany.

Whitecroft is one of 13 specialist lighting brands that constitute the European Fagerhult Group, a number of which are collaborating technically and logistically to deliver data centre projects across Europe – particularly the Netherlands-based Veko Lightsystems.

Richard concludes: “It’s an international market that is growing and maturing at an unprecedented pace, and with that comes increasing competition, but we hope to stay ahead by offering a sole-source solution at scale, that’s secure, and includes every aspect of lighting and emergency backup systems required across the data centre campus – both internally and externally.”

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